#i don't own these pictures

[holographic-murderbot]

Fluttershy aesthetic 🦋 🦋 🦋

[youwerenevermine]

Jonerys | “Better Than The Movies” 🍿 Moodboard

“Enemies-to-lovers—it’s our trope.” 

I loved this book so much ❤️

Insp. by Lynn Painter’s “Better Than The Movies”

[demaparbat-hp]

There is no such thing as personal space between them.

[elbdot]

LITTLE COMIC based on how I made a friend at 1 am while crawling on the ground, picking up Maybugs to save them from getting squished by cars.

PRETTY SURE I must've looked like a strange little gremlin to any onlookers passing by. Also yes he held a bug like a CHAMP. He passed my test. We still hang out 😂

Patreon

[curseofdelos]

mentally I'm still here:

Nico insisting that neither of them are going to be sacrificed/left behind to satisfy the prophecy is a perfect encapsulation of his growth over the series and it makes me SO soft to think about

Nico as a character - particularly in BoO - doesn't have a lot of self-preservation. He doesn't really care what happens to him as long as the mission gets done. We see this most explicitly after he almost fades into nothingness after the Bryce Lawrence incident:

And again when he considers shadow travelling into Octavian's tent to assassinate him:

(Nico himself notes here that it was unlikely he would survive another jump. If Will hadn't stopped him, he probably would have died.)

In both cases, Nico was willing to risk death for the sake of ending the war. He puts very little value on his own life, and repeatedly argues to Reyna, Hedge, and Will that the possibility of saving camp (a place he never felt welcome at, might I add) is worth the risk of losing his life.

Even before Nico went on the quest with Reyna and Hedge, the others were concerned about his safety. Percy tried to remind him how unpredictable his shadow travelling could be, and Hazel notes that he has been acting strangely lately:

It's not quite clear what Hazel is worried about here, but my interpretation of this scene is that she's concerned that Nico isn't thinking - or perhaps, isn't caring - about what effect the constant shadow travelling will have on his wellbeing. Between Tartarus, the jar, and the Cupid incident, Nico's mental state is at its worst at this point in the series, and I think Hazel is worried he'll do something reckless - something he can't come back from.

And so in TSATS, when Nico is told that he's going to have to leave something of equal value behind in order to save Bob, the old him would have had zero issue sacrificing himself if that's what it took to ensure Will and Bob's survival. This version of Nico, who's been going to therapy w/ Mr D and opening up more and built a little support system for himself, can't fathom it.

Nico in BoO did not have a future. He had fully convinced himself that nobody cared about him or would miss him if he was gone - not Percy who fought for him at every turn in PJO, not his sister Hazel, not his new friends Jason and Reyna. He was ready to leave both camps behind because he couldn't see himself ever being happy there. He couldn't see himself being happy at all.

But now, in TSATS, he has a boyfriend that he loves, he has friends that he loves, and he has a community in Camp Half-Blood. He has experienced so much loss that losing someone else is his worst fear. The old Nico would have considered sacrificing himself to protect Will and Bob. At the very least, he would have kept that option in his back pocket as a 'just in case'; he wouldn't have sworn on the Styx that he wouldn't stay behind.

This Nico, however, is doing much better - not perfect, but better. He loves Will, and he wants a life with him, and he's not willing to give that up for anything. Nico has hope for the future, and he's clinging to that hope with everything he has. He sees a light at the end of the tunnel, and he wants to reach it. He's not willing to sacrifice himself because it means losing that future.

Gone is the cynical pessimistic Nico who assumes the worst because the worst is all he thinks he can have. Here is the Nico who has had a taste of happiness and is willing to fight to keep it. He's not going to sacrifice himself because he wants to live. He's not just fighting for Will here; he's fighting for himself too.

And seeing him go from "if it kills me, it kills me" to "it's not going to be me" makes me so ASDFGHJKL

[cometshift]

disaster waltz

[cchanticleer]

i have created something wonderful

from the front it appears to be an ordinary flame shirt. cool but not remarkable.

BUT BEHOLD

[starry-bi-sky]

danny and officer martinez's relationship in "late at night, when the nightingale sings" in a nutshell:

Martinez: FREAK! GET YOUR FUCKING KID!

Battinson, on the other side of the crime scene: he don't bite

Martinez, with Nightingale firmly attached his arm, visibly biting him: YES HE DO!

*points at them* Danny is the Bugs Bunny to Martinez's Elmer Fudd.

Another Officer: i can't believe you're fighting with an actual twelve year old. Martinez: i swear to god that is not a twelve year old, that is a little hellion that crawled out of batman's shadow one dark and stormy night and decided to dedicate his existence to tormenting me. Officer: Are you really that mad about him putting a sticky note on your back-- Martinez: thats not the point

in danny's defense: the word "freak" is. a mini beserker button for him for.... obvious ghostly reasons, so like, even if its not directed at him, he still very much unappreciates Martinez's insults at Battinson. Danny may or may not be projecting.

he's not going to hurt the guy! not in any serious or permanently disfiguring way at least! But he is going to leave mean sticky notes on the square part of his spine that he can't reach, and stick salt in his 3AM Late Night Crime Scene Coffee, and kick the bottom of his heel while he's walking so he stumbles. And other petty, infuriating things that tally up and boil over, over time.

[icantdothistodaybruh]

OKAY SO Not so long ago @the-secret-third-thing made this amazing post, and this exact scene has been stuck in my head ever since I've first read it, you have no idea how bad I needed to get it out of my system however silly it looks

lil bonus because oooops my hand slipped.....

[ssjumi]

doodled/drew some internet cats (again) 🐱🐾

[holographic-murderbot]

Spike aesthetic 🔥🔥🔥

[youwerenevermine]

Jonerys | “Say You Swear” 🏈 Moodboard

“If she isn’t mine in the end, I’ll still be hers.”

For my dear @ceebogs, who totally ruined my life with this book rec. 😭❤️

Insp. by Meagan Brandy's “Say You Swear”

[jadedgenasi]

The more I think about Carla the worse it all feels. RTD did a Racism For Idiots episode and that's cool, but did anyone look over the optics of not only Ruby calling her bio mom her "real" mom in front of Carla, but sitting next to her instead of between her two moms (as in, near Carla)? How many people looked at the part where Carla without Ruby states that she only keeps kids for the money and went "hmm yeah that seems fine," like. I've watched enough British TV to know there's a huge fucking blind spot with them as a whole re racism, especially with regard to black people, but what the fuck. It tastes nasty. And it could have been solved so, so easily by acknowledging - reinforcing - that Carla is Ruby's mother. A large portion of the time we got with Carla wasn't even real, and those times were super shitty.

[eva-birdman]

I have been busy but I always have time to sneak in a quick beaten up Kepler😏

This is sfw enough to post here but I have uuuh... thirstier ones up on patreon👉👈

[canisalbus]

Have you ever seen a wire-coat Ibizan hound, though?

Yeah, maybe once or twice in person! They're even rarer than the smooth coated variant and have a very different vibe to them.

[almea]

"So would you say he caught you unarmed?"